WebJun 15, 2012 · Abstract. This article addresses the affective potentials of music video, identifying music video as a “signaletic form of practice.” Following Steven Shaviro's notion of (post-)cinematic affect, the article demonstrates how cinematic affect is most clearly revealed when the images are released from traditional filmic vision—as shown in … WebApr 4, 2000 · The few exceptions are Linda Williams’s on-going investigation of what she calls “body genres”; Jonathan Crary’s recognition, in Techniques of the Observer, of the “carnal density” of spectatorship that emerges with the new visual technologies of the nineteenth century; Steven Shaviro’s Deleuzean emphasis, in The Cinematic Body ...
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WebJun 1, 2013 · superimpose the cinematic body of a character on to the geo-body of maps and the. 5. It is tempting to treat Salween ’s narrative in a psychoanalytic frame. A male authority figure has. WebSiobhan Craig's book, "Cinema After Fascism: The Shattered Screen"(2010) explores the new cinematic languages that emerge from the rubble, both literal and symbolic, of the European cities after 1945. The specter of Fascism haunts European cinema after the war; filmmakers confront the legacies of fascist cinema in complex, ambivalent and highly … WebProject MUSE fly bees